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| 1622 |
| | Bernini's youthful Pluto and Proserpina, suggesting soft flesh in cold marble, introduces the lively tradition of baroque sculpture | |
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| 1622 |
| | The Flemish painter Anthony van Dyck begins a five-year stay, and a successful career as a portrait painter, in Genoa | |
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| 1624 |
| | Nicolas Poussin arrives in Rome, where he develops the tradition of French classicism | |
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| 1627 |
| | Claude Lorrain, basing himself like Poussin in Rome, paints classical landscapes suffused in light | |
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| 1629 |
| | The sculptor and architect Giovanni Lorenzo Bernini is given the task of adding the drama of baroque to the newly completed St Peter's in Rome | |
| | Bernini's Baldacchino in St Peter's Fotofile CG
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| 1632 |
| | The Inquisition convicts Galileo of heresy and he denies the truth of Copernicus - on being shown the instruments of torture | |
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| 1634 |
| | Francesco Borromini begins work on his intricate baroque masterpiece, the Monastery of San Carlo alle Quattro Fontane (1634-43), in Rome | |
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| 1637 |
| | The first public opera house, the Teatro San Cassiano, opens in Venice | |
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| 1638 |
| | Galileo's Discorsi, published in Leiden, lays the groundwork for mathematical physics | |
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| 1643 |
| | Evangelista Torricelli, observing variations in a column of mercury, discovers the principle of the barometer | |
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